Quote:
Originally Posted by Keith
Does anyone agree with me that Ngaio Marsh is much overrated and doesnt really play fair as there are almost no clues given to the reader.And she uses the same plot device again and again whereby the first obvious suspect is exonerated only to be found the murderer at the end of the book.Death in a White Tie is an exception and is an all-time favourite of mine but too many of the rest are just interrogation to establish where people were etc.
Also the murders do not generally occur until halfway through the book.I like mine done in the first couple of chapters otherwise Idont feel the book has really started until the first body turns up.
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Per Keith's advice (in another, non-Marsh thread) I just read
Death in a White Tie. Well, Keith's criticism of other Marshes -- that the murder happens late in the game -- in fact applies to this one. When the murder happens late you need an interesting cast of characters, an interesting setting, or something to sustain interest other than the promise of a murder. This one didn't have that. (Also, Alleyn shouting "Wonder of the world!" when Agatha Troy says she loves him was pretty damn cheesy.)
Here are the Marshes I've read:
A Man Lay Dead
Enter a Murderer
Death in a White Tie
Final Curtain
False Scent
In my opinion, except for
Final Curtain, each of these featured uninteresting characters involved in an uninteresting crime, solved by a tedious investigation carried out by an uninteresting detective. (In addition to these faults,
False Scent features a stupid, laughable murder method.)
I should qualify this to say that
Enter a Murderer at least features an interesting crime, but the solution is too transparent.
Since (as Keith rightly points out) there are few clues, there isn't really the pleasure of working out the puzzle. At least in the Queen novels, for example, which have very poor characterization and motivation in my opinion, there's always the compensation of solving the riddle.
So I've yet to read a Marsh I liked (if you except
Final Curtain, but that was fifteen years ago and I would need to reread it to make sure that it wasn't a case of youthful enthusiasm).
I'm giving Marsh one last chance to prove to me that she indeed deserves to have Christie compared to her or whatever it is the New York magazine said. Any suggestions from Marsh fans? I was thinking
Night at the Vulcan, since allegedly she's at her best in theatrical milieux.
PG